Screenwriter

Lewis Webb

Dark emotionally driven storiesThe systems may be vast.The damage is always personal.

Projects
A rusted family table in a rain soaked Stills room, with child drawings of S.C.A.D. and The Tick on the wall and a Square issued oxygen tank in the corner
One Hour Drama · Grounded Dystopian Thriller

The Kradle

Love makes you fight to keep you alive. But kills you if you let it.

A family spends twenty years tearing its own heart out to keep a hidden son alive long enough to become the consequence of the system's own arrogance.

2026 · Roadmap Writers 45 Forward Screenwriting Fellowship Finalist

A resistance water testing room with a single glass of clear water, an empty chair, a scout pack and improvised testing equipment
One Hour Drama · In Development

Water Runners

Decades before THE KRADLE, a desperate resistance battles the Square's control of water. The Water Runners uncover the horrific truth that the poisoned rain around them may have been engineered.

A derelict residential block under Square rule with one flat still lit by television, a Square monolith, crawler transport and a DISPLACEMENT billboard
Speculative Satire · Future Dystopian Drama · In Development

Intoxication Method

An abandoned flat. A television still broadcasting. No sign of the person who lived there. As Square TV continues to sell impossible products to an empty room, the adverts begin to reveal Atticus, the world that shaped him, and what centuries of Square rule have done to reality itself.

A fogbound fishing trawler tied to a long decaying jetty while rooks circle above dark water
One Hour Drama · Psychological Coastal Horror · In Development

Rookmire

When the worst storm in living memory cuts off a remote fishing village, a guilt haunted fisherman is forced to protect the community as a phenomenon beneath the water makes people relive their deepest unresolved trauma.

I write about systems that deform human relationships.

Lewis Webb is a UK based screenwriter drawn to grounded genre stories where the private human cost matters more than the spectacle.

His stories put ordinary people under sustained pressure, where love can become sacrifice, guilt, manipulation or violence and survival leaves no clean way out.

For representation, development and scripted television.

Materials available upon request